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After more than
two years of renovation and restructuring, the Maya
Room of Mexicos National Museum of Anthropology
reopened its doors in July 2003. With more than
700 pieces, 160 of which are on display for the
first time, the new face of the hall seeks to diffuse
the latest interpretations regarding this culture
and, simultaneously, exhibit its magnificence and
diversity through its multiple expressions in stone,
ceramic, metals and other materials.
Seeking to reveal the most representative aspects
of the Maya Room to the greater public, the National
Institute of Anthropology and History through
its Museum Coordination and National Museum of Anthropology,
and Editorial Raíces united their forces
so as to publish the present issue. In addition
to being a testimony of the Maya Room itself, this
publication looks to stimulate the readers
interest in discovering the world of the ancient
Maya, appreciating their accomplishments and understanding
both their daily and ritual way of life in the regions
they inhabited and the time periods they lived in.
On the one hand, the photographic work of Jorge
Pérez de Lara will allow the reader to see
and enjoy each piece with the particular and artistic
vision of his lense. On the other, Martín
García-Urtiagas design, elaborated
and harmonious, wants to respect and reflect both
the criteria that were followed by the rooms
museography: chronological and thematic order.
Two fundamental texts introduce this issue. The
first, written by Felipe Solís, director
of the nma, gives an account of the history of the
Maya collection and presence in the museum from
the 19th century onto our days. |

Lintel 26. Late Classic. Yaxchilán,
Chiapas..
The second, by Enrique Nalda,
distinguished scholar of the Maya region, is a very
complete and didactic essay that includes new readings
explaining the Mayas main achievements and
manifestations: their geography, settlement pattern,
technology, religion, calendars, writing system,
dynasties, Teotihuacan influence, collapse
and warfare, among others.
As is customary in the magazine, a chronogram or
time line as well as a map of the Maya area, including
the different regions and sites, are offered so
as to situate our readers in both time and space.
A small floor plan of the room is also included
on several pages in order to position the visitor
within the space were the pieces shown in this publication
can be viewed. Lastly, we would like to extend our
gratitude and recognition to all the collaborators
both from the inah and the editorial staff
that made this publication possible. We wish our
readers an interesting and pleasant walk-through
the Maya Room.
Mónica del Villar
K.
Editorial Director |