VISITA OTRAS PÁGINAS

SUMMARY

T H E- M A Y A - R O O M

After more than two years of renovation and restructuring, the Maya Room of Mexico’s National Museum of Anthropology reopened its doors in July 2003. With more than 700 pieces, 160 of which are on display for the first time, the new face of the hall seeks to diffuse the latest interpretations regarding this culture and, simultaneously, exhibit its magnificence and diversity through its multiple expressions in stone, ceramic, metals and other materials.
Seeking to reveal the most representative aspects of the Maya Room to the greater public, the National Institute of Anthropology and History –through its Museum Coordination and National Museum of Anthropology–, and Editorial Raíces united their forces so as to publish the present issue. In addition to being a testimony of the Maya Room itself, this publication looks to stimulate the reader’s interest in discovering the world of the ancient Maya, appreciating their accomplishments and understanding both their daily and ritual way of life in the regions they inhabited and the time periods they lived in.
On the one hand, the photographic work of Jorge Pérez de Lara will allow the reader to see and enjoy each piece with the particular and artistic vision of his lense. On the other, Martín García-Urtiaga’s design, elaborated and harmonious, wants to respect and reflect both the criteria that were followed by the room’s museography: chronological and thematic order.
Two fundamental texts introduce this issue. The first, written by Felipe Solís, director of the nma, gives an account of the history of the Maya collection and presence in the museum from the 19th century onto our days.


Lintel 26. Late Classic. Yaxchilán, Chiapas..

The second, by Enrique Nalda, distinguished scholar of the Maya region, is a very complete and didactic essay that includes new readings explaining the Maya’s main achievements and manifestations: their geography, settlement pattern, technology, religion, calendars, writing system, dynasties, Teotihuacan influence, “collapse” and warfare, among others.
As is customary in the magazine, a chronogram or time line as well as a map of the Maya area, including the different regions and sites, are offered so as to situate our readers in both time and space. A small floor plan of the room is also included on several pages in order to position the visitor within the space were the pieces shown in this publication can be viewed. Lastly, we would like to extend our gratitude and recognition to all the collaborators –both from the inah and the editorial staff– that made this publication possible. We wish our readers an interesting and pleasant walk-through the Maya Room.

Mónica del Villar K.
Editorial Director

ESPECIAL 28
VIGENTE
TEOTIHUACAN

NÚMERO 93
VIGENTE
LA PINTURA MAYA

ARTÍCULOS EN LÍNEA

Hallazgos en el recinto
ceremonial de Tenochtitlan

Raúl Barrera Rodríguez,
Gabino López Arenas

A partir de las investigaciones realizadas hasta ahora es posible proponer, de manera preliminar, que la edificación encontrada sea el calmécac.


El Códice Madrid.
Un viejo documento revela nuevos secretos

Gabrielle Vail,
Anthony Aveni

En sus 112 páginas, contienen augurios agrícolas y astronómicos.

HOME . Suscripciones . Ediciones atrasadas . Banco Imágene . En línea . Indice General . Próximo Número . CONTÁCTANOS
©1993 Copyright Editorial Raíces S.A. de C.V.